Who Is Meghan Reed? The Theater Maven Making Her Mark in Vertical Dramas
From vertical drama to horror, this theater aficionado’s latest choices prove she is full of surprises, and her range is only beginning to unfold.
Vertical dramas are on the rise, capturing attention across social media and streaming platforms. Among the fresh faces emerging in this space is Meghan Reed.
While relatively new to the niche, Reed has already shown versatility beyond vertical dramas, building a body of work in theater, short films, and student projects that highlights her range and dedication as an actress.
Meghan Reed Rarely Shares About Her Career Online
Reed is steadily building her presence in the entertainment industry, combining classical theater training with screen work in short films and emerging digital formats.
On social media, she maintains a modest but engaging presence, with 584 followers on Instagram. Her feed highlights personal moments, outings with friends, and behind-the-scenes glimpses, giving followers an authentic look at her life outside the spotlight.
Meghan Reed Is Passionate About Acting
Reed’s foundation in acting was developed at Emerson College, where she earned a Bachelor of Fine Arts in Theater and Performance, graduating in 2020.
During her time at Emerson, she appeared in stage productions such as “Alice in Wonderland” as the Mad Hatter and part of the ensemble, “As You Like It” as Celia, and “Richard III” as Lady Anne, gaining experience in both classical and contemporary theater.
She also honed organizational and leadership skills behind the scenes, assisting with stage management for Emerson’s Musical Theatre Society production of “First Date.”
Outside the classroom, Reed gained professional experience with the Nora Theatre Company in Cambridge, Massachusetts, serving as Assistant to the Artistic Director and Associate Producer.
In this role, she helped produce staged readings at Central Square Theater, including “Proserpine,” “Midas,” “Mary Shelley,” and “Raging Skillet.” Her early work demonstrates a combination of creative skill, collaborative ability, and dedication.
Alongside her theater commitments, Reed also worked as a hostess at IHOP and volunteered as a teaching assistant for children with physical and developmental challenges.
Meghan Reed Expands Her Range in the Vertical Dramas
In 2025, Reed is venturing into vertical dramas, a rapidly growing format designed for streaming and mobile audiences. She stars as Isabella Bradshaw in the 2025 TV mini-series “The Lost Quarterback Returns.”
The story follows a football star whose kidnapped son is replaced by the kidnapper’s child. Years later, the boys meet again at football tryouts, unaware of their true identities. Rivalry, emotional conflict, and suspense build until the truth emerges.
Reed’s character navigates the Bradshaw family’s emotional dynamics. The cast also includes Josh Welles as Asher Bradshaw, Daniel Cropley as Wyatt Lewis, Troy Mittleider and Elyse Mirto as Trent and Bradshaw, William Jerry as Hugo, Jackson Janowicz as Tyler, and James Garcia as the coach.
Through this role, Reed demonstrates her ability to handle nuanced material and adapt to the intimate, character-driven storytelling style that vertical dramas demand.
She Once Tackled a Role in a Short Horror
Reed has also built a strong foundation in short films, with roles that showcase her versatility and emotional range. In the 2024 short horror film “Ray of Sunshine,” she plays Anna, one of three adopted siblings living with abusive foster parents.
Ryan Chandler Wilson and Izzy Miller star as Ray and Florence, respectively, with Tanya Davis portraying Miranda and Khalil Alston as Father.
Set in 1999, the story follows Ray, Anna, and Florence as they endure years of trauma under Miranda and Father. When the siblings reach their breaking point, they encounter a dark, supernatural force that offers them a chance to reshape their circumstances.
Beyond “Ray of Sunshine,” Reed has appeared in other films, including “Gone” (2023) as Mallory Pearson, “Rejoice” (2023) as Rejoice, “Child’s Eyes” (2017) as Female Monster, and “In the Boston Streets” (2017) as Kant.
She has also taken lead roles in “Check Out,” “Passage,” “Home,” “Around the Corner,” and “Ghosted,” navigating a wide range of characters across genres.
With her foundation in theater and an increasing presence on screen, Reed’s next steps will determine how her career develops in an industry that values both range and resilience.
